8.20.2014 - Making it your own

We all start somewhere.

Like dry sponges, we soak up everything that's put before us.   We wrestle with techniques and diligently practice, practice,  practice.  

Starting anything is a journey where we are inspired by someone or something.  We emulate someone while learning the basics... while the world watches.

Back in late 1998 I saw lampwork beads on eBay that piqued my curiosity.  I searched online for resources about lampworking.  I eventually ended up on Sundance's site - making lists of what I'd need to get started.

...because you’ve been so diligent and read so thoroughly, we are offering a beginner’s set - free...

After devouring Sundance's site - I found a hidden reward link they'd posted that went something like this:  

Burnt Offerings - JillSymons.com first beads!!



 

I ordered the kit and was soon on my way.  It consisted of a small fiber blanket, release, mandrels and a few shorts of glass. I added a plumbers' torch from the local hardware and I was on my way.  The oxygen deprived flame scorched and muddied most of the opaque colors - but even so, I knew I was hooked!  I kept a blog for awhile where I posted images of my work's progression... take a look here: JillSymons.blogspot.com 

I also found an article in an early issue of Bead and Button magazine (circa 1996) that interviewed Andrea Guarino (Slemmons) (Please forgive my memory - as I can't find that issue anymore - but loosely - this is what it said to me.)  I strongly agree with what was said, that while we all  need to start somewhere - copying is ok, but it's always good manners to credit your teacher/source.  

February 1996 Bead and Button

It went on to say that when you master a technique, move on and modify it to make a design that's your own. In other words - Find Your Own Voice, this helps to define who you are as an artist.  While coming up with a design that is your own is great - it's usually not very long before people are copying it *in some form or another*... so - always be moving forward on to new things AND if you're still making that signature bead , you'd better make sure that YOU are the one who still does it best!  

My Weekly Wednesday Update each week has helped me always move my designs forward.  This is paramount in my work, as people come here looking for things that delight, new things each week, or they don't come back.  

I think many factors go into the making of an artist - these are just some of the things that shaped me into who I am and how I think...  what and/or whom inspired you?

Smiles, Jill

4.9.2014 - it came in the mail!!

There's just nothing like a new color to fuel the creative furnace!

I was almost out of a longtime favorite glass color, but one final push to see if I could locate it proved successful! 
I'd placed an order for my old 'friend' - Denim Blue, and decided to try a few other colors.  The box arrived on Tuesday and I've been in glass heaven ever since.  Along with the colors I'd ordered were two additional rods - for 'inspiration'.   This is what became of one of the rods... this set is a mingling of the Czech Republic and China... sort of an odd collaboration, but beautiful nonetheless!

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The sets tonight reflect my dabbling in some of the more frequent styles of beads as I get to know the darker shade of Denim...  I especially love the sculptural quality of the Urban Chic tiles... and this set's ability to showcase the beauty of the glass itself - while style takes a quiet back seat.

3.20.2014 - my work is relaxing

How's that for an oxymoron?  Years ago I met another lampworker, Rona, who said "I get twitchy if I don't torch".  I now understand her completely because it is a place to detach and lose myself.  The noises are constant, the hiss of the torch and almost rhythmic sound of breathing from the oxygen concentrator - these soothing sounds allow my ideas to spill out and materialize on my mandrels.  

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This is a peek into one of my annealing kilns where the beads settle in while I continue to work.  It's about 1000 degrees in there so the heating element is red-hot!  When I'm done adding beads, it processes an annealing schedule automatically and over the next 10 hours will cool to room temperature.  This process assures that the glass beads have cooled slowly, releasing the stress that builds inside the bead by allowing a very s-l-o-w & even drop in temperature. 

Any questions?