6.11.2014 - Finding balance, finished items or raw materials?

I've been making lampwork beads for right at sixteen years.  At times that totally dumbfounds me, and yet my enthusiasm and ideas never wane.  When I first started I found it very hard to imagine what to do with the beads, how to make them into finished pieces.  I also was mystified as how to pricing my work.

I sold on eBay for eight years, then decided to launch my own website and handle sales personally.  I've been back and forth with making finished pieces versus offering raw materials... but bottom line - I am a maker of lampwork beads - that's where the joy is for me.

But it's still very hard four me to keep my hands off of the earring pairs - as it seems to fill a need to make completed items.  Next week I will be adding a collection page that features solely earrings! 

Back in 2004-5 I took a silversmithing course and found a passion for making my own findings, then later on maybe in 2011 there were silver bracelets and bangles, earrings etc.  but I began to feel distance from my glass passion.  How to combine the two without stealing the thunder from the glass?

Components... To this day I make all my own headpins, ear wires, focal headpins and clasps.  It gives my work a touch of personal uniqueness and fills the need to dabble hammer and melt silver.  If you're one of my customers who isn't savvy on assembly - and would like me to - I can give you a price for finished pieces as well! 

6.4.2014 - Sue's Necklace

I'm borrowing Sue's necklace for a bit to talk about control.  No, not self control, but heat.

I have dabbled in borosilicate (aka Boro) going on about 5 years.  Not seriously for most of it, as my torch couldn't melt it with gusto... but, that's OK, as I've never really EVER been a big bead kinda gal.  

I started slowly.  Winding the glass in pre-pulled stringers of clear boro - I think they were 3mm, maybe 2?  I'd feed them through the flame, and catch them on the mandrel as they came out the other side.  S L O W L Y... it made for very precise and beautifully uniform beads.  Then I stepped out of my comfort zone and started using a gorgeous boro glass called Blue Moon.

Working from the standard size rod (diameter of around maybe (8-9mm) I'd feed and pull to the smaller diameter as I went - watching as the color struck and the bead diameter grew.  I love this look, and toyed for quite awhile trying to figure out how to showcase the sides of a bead - and not the visible edge you would see if strung conventionally right through the hole.  This is what came about.  I am thrilled.  There is no hardware to tarnish, and not cold metal - heck, no sensitivity to allergies even!  I remember selling it with the added bonus that one could even put it through the dishwasher, although I secretly hope one doesn't.

I absolutely love what I do, I'm going on 16 1/2 years now and I confess to gleefully skipping to my torch sessions as if it were perhaps a newly acquired love.....   smiles, Jill

5.21.2014 - I may have missed something

While my passion has always been lampwork, I admit I may have too quickly dismissed fused glass.  I went to Helios Glass Studio a few weeks ago with some friends and while looking at all their supplies I had an odd sense that these were somehow distant relatives of my genre.

There was one piece there that really caught my eye... and it caused me to look a little closer at the possibilities that may lie just out of reach (for now)... as I thought this piece incredibly handsome.  The artist is keeping it for her collection - but I was happy to have 'met" it.

 

Fused Glass at Helios Glass studio 

5.14.2014 - Just luscious pictures.

I'm taking a break from knocking my head on my desk - proverbially fighting with the software for tonight's update page... frustrated.  So I'll post some pretties and bask in these for a little while before going back to the uncooperative page.

I was entering a local department store - and there were some really sad looking palms in pots flanking the entry but upon looking closer, this is what I found.  Isn't it so amazing?? Look how perfectly rolled up these are? It is what I aspire to do when I'm trying to make swirls... I am floored.

Jill

5.7.2014 - on another note...

Whaaaat??? then I just smile and shrug - heck, it's Austin...

My friend and co-glass-conspirator-beadmaking-buddette Diane - (white in center front row) told me about this - the Ukulele Society of Austin - it just makes me happy when I watch this video.  I'm getting all smart now about this little instrument, and I smile even more.  : ) Jill

At our April 2014 meeting, the Austin Ukulele Society learned the 1972 rock classic by Stealers Wheel, "Stuck in the Middle With You". Download the lyrics and chords at https://app.box.com/s/v2gt554n36eqxl4708lh. Download a copy of the instruction sheet for this song (what we're projecting up on the wall for all to follow along) at https://app.box.com/s/pe34xis952z81v2qaevy.

4.30.2014 - My beads skip a heart...

I used to think I could (should) only make hearts at that one time of year - and that they should all be red.  While I still think red is the most popular color, I now feel very comfortable making them I make all year long.  This wonderful red is Lauscha, it can be worked in the flame forever and doesn't streak or get darker - available from Glassdaddy

These hearts are the typical shape I make, and as you can see (sort of) from my first ever video I put on YouTube, this is how I make them.  No talking because I'm shy... but I hope you get the idea.  Next time I promise a neutral background and perhaps try filming a little closer!  Let me know what you think. : ) Jill

Trial tutorial for small lampwork heart

4.23.2014 - Spirals & Stringers

I got to thinking about the wound spirals I make, and thought oh - it's because I use boro stringers - that all have a nice consistent diameter.  Well, that's true for the clear - but the colored ones are made from rods - I like to pull from 7-8mm dia. rods.  As I pull the stringer, it's spiraled up on the other side of the torch.  Feed boro in from the front of the torch - mandrel in back, catching the stringer and winding it up.  Does that makes sense to you?
 

Red Boro Zinger Spiral Necklace - $250

That got me to thinking about how new lampworkers are taught to pull stringers.  I've heard about heating a rod in the middle and pulling out each end  with the stringer in the middle.  Or puntying on with a stainless steel chopstick.  I think Corina was just talking about how not to use tweezers, because the stringer retains the tweezer shape for a couple of inches in initial pull stages - and how that can get to be expen$ive if it's silvered glass your'e tossing away!

When I need a length of stringer, I pull using needle nose pliers... 
I fix my eyes about 1 1/2" to the right of the flame.  I slowly feed a thick rod from the left and pull to the right... always watching that same check spot 1 " to the right of the flame.  I pull about an inch, then let the glass slightly chill and set the diameter to what I need... once that's been established, I can control the speed at which the glass is fed into the flame from the left and simultaneously control the speed & temperature of the glass I'm pulling from the right. 

Do I have a stringer stash? Sheesh... I wish, but cataloging yet another thing is not in my mental makeup.  There is a sense of freedom pulling fresh ones each time!

4.16.2014 - One Small Blue Bead.

I like to leave beads.  Maybe along with a tip, or perhaps cast them into the woods anticipating the delight they would foster upon their discovery in the distant future.  I had stumbled upon this poem years ago - and have attached tags to beads with this printed on the tag.

Now the blue bead lies
In a sandy place
Where the winter weeds
All look like lace
and the gopher sits
With the sun on his face.
Looking out over the desert land
While eagles drop shadows
on the hot white sand.


If you find it please take care
Not to leave it just anywhere
For the boy named Boy
Would be happy to know
That his bead goes with you
Wherever you go.

by Byrd Baylor Schweitze

4.11.2014 - transparent glass & light

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I'm truly beginning to see a pattern that wasn't so evident until tonight when I was scrolling through a folder containing older images.  Each spring we revel in the glory of seeing & feeling sunshine - to see this light that not only awakens us, but all else that had also been dormant all winter long.

While I admit that I love cooler temperatures, this winter made me weary.  So now we revel in the celebration of light & the colors of life.  

I am always drawn to transparent glass at this time of year, where I'll find that some colors are light & airy while others are more highly pigmented and do not so easily allow for transmission of light and the casting of colored shadows... so I thin the glass.  I build tall thin disks & tiles, or thin walled bubbles of color which allow for this celebration of color.



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4.9.2014 - it came in the mail!!

There's just nothing like a new color to fuel the creative furnace!

I was almost out of a longtime favorite glass color, but one final push to see if I could locate it proved successful! 
I'd placed an order for my old 'friend' - Denim Blue, and decided to try a few other colors.  The box arrived on Tuesday and I've been in glass heaven ever since.  Along with the colors I'd ordered were two additional rods - for 'inspiration'.   This is what became of one of the rods... this set is a mingling of the Czech Republic and China... sort of an odd collaboration, but beautiful nonetheless!

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The sets tonight reflect my dabbling in some of the more frequent styles of beads as I get to know the darker shade of Denim...  I especially love the sculptural quality of the Urban Chic tiles... and this set's ability to showcase the beauty of the glass itself - while style takes a quiet back seat.